The 2-time Oscar nominee’s ‘Good Luck to You All’ world premiere tops the Board’s slate of animation in competition at the festival, which runs September 18–28.
Special series spotlighting Canadian animators with Robert Valley, Bruce Alcock, Danny Antonucci, Cordell Barker, Theodore Ushev and Janet Perlman runs July 8 through December 9 at Vancouver Film School.
Two children’s books adapted from Oscar-nominated NFB animated films, ‘The Cat Came Back’ by Cordell Barker and ‘My Grandmother Ironed the King’s Shirts’ by Torill Kove, to launch inaugural publishing program.
Curated by film analysts Ellen Besen and Aubry Mintz, 30 of the National Film Board of Canada’s master works by filmmakers such as Caroline Leaf, Cordell Barker, Norman McLaren, and Ryan Larkin airs on TCM on Sunday, April 9.
Screenings include ‘If I Was God’ by Cordell Barker, ‘Doomed’ by Guillermo García Carsí, ‘Mynarski Death Plummet’ by Matthew Rankin, ‘Choban’ by Matija Pisačić, and ‘Hoof It’ by Seth Boyden.
Opening night selections include ‘Edmond,’ from Dutch director Nina Gantz, ‘Before Love’ by Russia’s Igor Kovalyov, ‘Ticking Away’ by Michael Sewnarain, ‘Six Portraits of Clara Schumann’ by the U.K.’s Stuart Pound, ‘Mirror’ by Chris Ware, ‘Chez Moi’ by France’s Phuong Mai Nguyen, ‘Little Girl’ by Steven Subotnick, ‘Velodrool’ by Estonia’s Sander Joon, and ‘If I Was God’ by Canada’s Cordell Barker.
Watch trailers and clips from all 10 shortlisted projects.
Ten titles -- including Don Hertzfeldt’s ‘World of Tomorrow’ and Pixar short ‘Sanjay’s Super Team’ -- shortlisted out of 60 qualifying films.
Steve Boot’s ‘Once Upon a Blue Moon’ awarded as best independent film; Anni Oja’s ‘Viikset’ (‘The Moustache’) named best student film.
Seventh edition of the Montreal Stop Motion Film Festival to include PES, Cordell Barker, and a special behind-the-scenes presentation of Mark Osborne’s ‘The Little Prince.’
North American premiere of Cordell Barker’s ‘If I Was God’ joins acclaimed new films by Sarah Van Den Boom and Randall Lloyd Okita.
Four years in the making, two-time Oscar nominee trades in his familiar comedic 2D animation style for slow-paced storytelling in a brand-new stop-motion short film.
