The Crunchyroll shows’ voice casts reflect on accents, timing, and collaboration, detailing how ADR directors, writers, engineers, and performers shape English dubs and faithful adaptation performances.
Columnist Andrew Osmond weighs up two impressive anime series about ‘rakugo,’ a venerable kind of Japanese storytelling.
Columnist Andrew Osmond looks at the new TV anime ‘Witch Hat Atelier’ and ‘Daemons of the Shadow Realm,’ and also casts an ‘anime eye’ over Netflix’s recent ‘Stranger Things: Tales from ’85’ series.
The adaptation of Kamome Shirahama’s manga will premiere April 6 with simultaneous English and Japanese releases of Episodes 1 and 2, alongside multiple dubbed language options.
New footage introduces additional main characters, voice cast and music details for the upcoming adaptation of Kamome Shirahama’s award-winning manga.
The director of the anime feature based on Hiroshi Sakurazaka’s sci-fi novel, previously adapted in the Tom Cruise thriller ‘Edge of Tomorrow,’ discusses unconventional, exaggerated character designs and beautiful, vibrant colors that depict some less than friendly plants; from GKIDS, hits U.S. theaters today, January 16.
As Studio 4°C’s time-looping adventure hits U.S. cinemas, Andrew Osmond talks to the studio’s CEO about four decades of animation.
Anime columnist Andrew Osmond looks at 2 anime from the noted director – a film and a TV series – that are both set against summer sun, are easy to overlook, and are very good.
The director discusses bringing Daisuke Igarashi’s 2006 manga to life in a dazzling, iridescent, and beautifully animated film that captures the complex bonds between all living things.
From ‘I Lost My Body’ to ‘The Swallows of Kabul,’ cultural, narrative and aesthetic diversity reign in this year’s expanded feature film competition.
Latest animated feature from Japan’s STUDIO4°C is directed by Ayumu Watanabe with a score by award-winning composer and longtime Studio Ghibli collaborator Joe Hisaishi.
