Fresh off his Oscar win for Jon M. Chu and Universal’s hit musical adventure, the production designer talks real trains, Unreal Engine digital fly-bys, and growing 9 million tulips.
The Oscar winning VFX supervisor and filmmaker, known for his work on ‘Interstellar’ and ‘Inception,’ as well as co-founding DNEG in 1998, follows fellow co-founders Matt Holben and Alex Hope to the Canada, UK and India-based studio.
VFX supervisor Paul Lambert, DFX supervisor Tristan Myles, miniature effects supervisor Ian Hunter and special effects supervisor J.D. Schwalm receive Academy Awards for their contributions to director Damien Chazelle’s historical biopic.
Alongside primary visual effects vendor DNEG, Oscar-winning VFX supervisor Paul Lambert and production designer Nathan Crowley employ a hybrid of practical and digital techniques for the cinematic adaptation of ‘First Man: The Life of Neil A. Armstrong.’
Acclaimed writer-producer-director teamed with Cristopher Nolan on ‘The Dark Knight,’ ‘The Dark Knight Rises’ and ‘Interstellar,’ and is the co-creator of HBO’s ‘Westworld.’
Famed Oscar, Grammy and Tony award winner, who has scored some of Hollywood’s greatest pictures, will present at the Turin event this October.
The 2017 VFX Oscar-nominated films showcase the versatility and range of visual effects artists.
The award-winning CG Supervisor will work in the company’s global film division.
Opened in 2009, DNeg’s Singapore facility has been involved in production of visual effects for films including ‘Godzilla,’ ‘Man of Steel’ and ‘The Hunger Games: Mockingjay’ Parts 1 & 2.
London-based VFX house wins the Academy Award for best visual effects for its work on Alex Garland’s ‘Ex Machina’; DNeg previously recognized for Christopher Nolan’s ‘Inception’ and ‘Interstellar.’
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
‘Interstellar’ VFX supervisor Andrew Lockley details how his team used cineSync to help develop the groundbreaking visual effects for numerous Christopher Nolan films.
‘Captain America: The Winter Soldier’ and ‘Interstellar’ lead nominations for the 41st Annual Saturn Awards with 11 and 10 nominations, respectively; ‘Guardians of the Galaxy’ follows with nine nominations.
AWN goes backstage at the 87th annual Academy Awards with Oscar winners ‘Big Hero 6,’ ‘Feast’ and ‘Interstellar.’
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
It’s that time of the year again where 6000 male, mostly-white, 60 year olds put on their bi-focal 3D glasses and try to figure out what visual effects are.
Interstellar’ is given the award for outstanding special effects; ‘The Bigger Picture,’ by Chris Hees, Daisy Jacobs and Jennifer Majka, wins the prize for best British short animation.
Marvel’s ‘Guardians of the Galaxy’ named Best Action Feature; ‘Interstellar’ named Best Sci-Fi/Horror Movie; Best Visual Effects goes to ‘Dawn of the Planet of the Apes.’
Nominees for Best Animated Feature are Disney’s ‘Big Hero 6,’ LAIKA’s ‘The Boxtrolls,’ DreamWorks Animation’s ‘How to Train Your Dragon 2,’ Cartoon Saloon’s ‘Song of the Sea,’ and Studio Ghibli’s ‘The Tale of the Princess Kaguya.’
The Academy’s annual voting event showcases the year’s top visual effects-driven films.
Nominees for Best Animated Film are Disney’s ‘Big Hero 6,’ LAIKA’s ‘The Boxtrolls’ and Warner Bros.’ ‘The LEGO Movie.’
Peter Jackson's ‘The Hobbit: The Battle of the Five Armies’ opens to a massive $90.6 million in North America, while new entries ‘Night at the Museum: Secret of the Tomb’ and ‘Annie’ both suffer soft starts heading into the year-end holidays.
Ridley Scott’s ‘Exodus: Gods and Kings’ easily tops the U.S. box office with a $24.5 million debut; Peter Jackson’s ‘The Hobbit: The Battle of the Five Armies’ opens in 37 international markets, earning a massive $117.6 million.
