Andrew Osmond crosses over to Chinese animation this week, to consider ‘Ne Zha 2,’ the highest grossing animated film in the world.
AWN columnist Andrew Osmond reviews this week’s cinema preview of the series, coming to both Crunchyroll and Netflix in April, reflecting on the rise of TV anime in American theaters and elsewhere.
AWN’s anime columnist Andrew Osmond looks at 2 series about the spoken word, though he doesn’t necessarily subscribe to the notion that the idea of animation celebrating what Chuck Jones referred to as ‘animated radio’ shows the medium’s decline.
AWN’s anime columnist Andrew Osmond looks at a new film streaming on Crunchyroll about a plucky group of female singers that tells a familiar enough story… with an intriguing twist.
AWN’s anime columnist Andrew Osmond looks at 2 intricate mystery-thriller anime serials on Netflix: the real-world drama ‘Monster,’ inspired by ‘The Fugitive,’ and the sci-fi ‘Pluto,’ about the humanity of robots.
AWN’s anime columnist Andrew Osmond enthusiastically recommends an older anime title, set in a world with smart glasses, originally broadcast in 2007, currently streaming on Netflix.
AWN’s anime columnist Andrew Osmond discusses the show – currently streaming on Hulu - about an 11-year-old girl determined to become a champion figure skater, and how it fits into the universe of sports anime.
AWN’s anime columnist Andrew Osmond considers the popularity of the historical-mystery series, now streaming on Crunchyroll.
The popular Netflix series isn’t anime, is it? AWN’s anime columnist Andrew Osmond wades into the definition debate.
AWN’s anime columnist Andrew Osmond dives into not one but two huge science-fiction franchises.
AWN’s anime columnist Andrew Osmond looks at MAPPA’s comedy fantasy, one of the best shows currently streaming, now on Crunchyroll; but first he discusses the often mis-identified universe of TV anime.
AWN’s anime columnist Andrew Osmond discusses the much-extended version of Sunao Katabuchi’s acclaimed 2016 war drama film, ‘In This Corner of the World,’ now available on Crunchyroll; but first he asks, ‘When did animated films get so long?’
Japan catches up with the Middle-Earth anime that most of the world has already written off as a flop – AWN’s anime columnist Andrew Osmond was there to see it.
Anime columnist Andrew Osmond discusses the recent smash series and how its production studio worked with ‘Scott Pilgrim’ and Naoko Yamada.
Journalist and animation expert Andrew Osmond returns to AWN’s pages after almost 20 years, explaining his reshaped attitude - from skeptic to convert – towards anime while sharing his review of Kiyotaka Oshiyama’s newest film.
Andrew Osmond encounters more than just animated encounters in Bristol this year, as Encounters 2006 showcases both animation and live-action.
Britain's biggest competitive short film festival, Encounters Short Film Festival (www.encounters-festival.org.uk) returns in November to Bristol's Watershed Media Centre. The event merges the Animated Encounters festival with its sister event, Brief Encounters, to jointly present some of the best of the world's cinematic shorts.
Andrew Osmond chronicles the making of U.K.-based BreakThru Films and Poland-based Se-Ma-For studios dark, stop-motion version of Peter and the Wolf.
Tara DiLullo tackles the vfx commercials, which wowed viewers during Super Bowl XL, to see how the top artists scored such magic.
Andrew Osmond chats with Lloyd Price, supervising animator on Wallace & Gromit: Curse of the Were-Rabbit, about bringing Aardman superstar plasticine duo to the big screen.
