It's the deadliest reality show known to man… the darkest, most violent game in the world… there's a billion dollars at stake... oh, and did we tell you it’s rigged? In theaters November 14.
The Oscar-winning VFX supervisor helped plan, design and deliver 500 visual effect shots for the Steve McQueen period drama about a 9-year-old evacuee who tries to journey back home to find his mother, turning back the clock to depict the devastating effects on the city and its people of the Nazi aerial attacks on England.
The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.
The studio delivers 235 shots for the fifth installment in the ‘Indiana Jones’ franchise, including a frantic tuk-tuk chase sequence through the streets of Tangiers, Morocco.
Epic begets iconic at the historic Super Bowl; Harrison Ford stars as the legendary hero archaeologist in the fifth installment of the storied franchise, coming to theaters this June.
The famed actor reprises his iconic role in the 5th installment of the Lucasfilm franchise coming to theaters in June 2023.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Tasked with the creation of the film’s main character, an artificially intelligent android named Ava, VFX supervisor Andrew Whitehurst and the DNeg team helped make the low-budget sci-fi feature one of the standout movies of the year.
Overall VFX supervisor dishes on his stunning Academy Award win for best achievement in visual effects on Alex Garland’s sci-fi thriller.
Independent visual effects studio co-founder wins an Academy Award for Alex Garland’s ‘Ex-Machina’ alongside Double Negative VFX team members Andrew Whitehurst, Paul Norris and Mark Ardington.
London-based VFX house wins the Academy Award for best visual effects for its work on Alex Garland’s ‘Ex Machina’; DNeg previously recognized for Christopher Nolan’s ‘Inception’ and ‘Interstellar.’
AWN editor-in-chief Dan Sarto reports on the backstage antics at the 88th Academy Awards, talking to Oscar winners Gabriel Osorio and Pato Escala, ‘Inside Out’s Pete Docter and Jonas Rivera, and ‘Ex Machina’ VFX supervisor Andrew Whitehurst.
Oscar gold: Pixar Animation Studio’s ‘Inside Out’ wins best animated feature and Gabriel Osorio and Pato Escala’s ‘Bear Story’ wins best animated short; ‘Ex Machina’ wins VFX prize.
Nominees for Best Animated Feature are ‘Anomalisa,’ ‘Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep Movie,’ and ‘When Marnie Was There.’
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
