Peacock’s 10-episode dramedy turned depicting Elizabeth Banks’ small-scale Lindy into a 3,000-shot visual effects effort, combining 12:1 scale rules, grounded photography, oversized practical builds, live composites, and a multi-vendor pipeline to keep the show’s tiny world flexible, physical, and believable.
Creators and co-showrunners Geneva Robertson-Dworet and Graham Wagner, and VFX supervisor Jay Worth, discuss how they integrated 50’s B-Movie Sci-Fi, Spaghetti Western, and Future War tones and designs into their darkly satirical hit series adaptation of Bethesda’s best-selling video game, now streaming on Prime Video.
Collaborators Jonathan Rothbart, Janelle Croshaw Ralla, and Michael Ralla talk incendiary shotgun shells, a blind assassin’s eyeballs, a CG dog, and hundreds of ring finger removals, on Chad Stahelski and Lionsgate’s shoot ‘em up in volume action-adventure.
In the fourth installment of the shoot ‘em up in volume franchise, Wick uncovers a path to defeating The High Table that turns old friends into foes, hitting theaters March 24.
VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
