The ‘House of the Dragon’ actress joins Peter Safran and James Gunn’s new DCU as Kara in ‘Supergirl: Woman of Tomorrow,’ based on the series of comics by Tom King and Bilquis Evely, with the possibility of debuting the character in ‘Superman: Legacy,’ out July 11, 2025.
The ‘Sherlock Holmes’ and ‘Wrath of Man’ helmer is back, this time with tough guys Henry Cavill, Alan Ritchson, and Henry Golding, in an action-comedy about the UK’s first-ever special forces organization formed during WWII by Churchill and a small group of military officials including author Ian Fleming; hitting theaters on April 19.
From the twisted mind of ‘Kingsman’ and’ Kick-Ass’ creator Matthew Vaughn comes a razor-witted, reality-bending, globe-circling romp hitting theaters February 2.
The global visual effects studio partnered with Dharma Productions and DOP Manush Nandan to deliver over 1,300 shots, including set extensions, composites and motion graphics on numerous shots of phones, TVs, and iPad screens, and a CG car in a frantic chase sequence, on Director Karan Johar’s dramatic love story.
VFX supervisor Luc-Ewen Martin-Fenouillet and his team jumped headfirst into the famous battles of Toulon and Waterloo, delivering warring armies of French and British soldiers, their encampments and tents, the smoke from their muskets and cannons, as well as the iconic moment when the infamous general’s horse gets shredded by a cannonball.
ILM, led by Simone Coco and Jeff Sutherland, delivered between 1,100-1,200 shots on the Christopher McQuarrie spy thriller, including a gunfight in an Abu Dhabi desert sandstorm, a Rome car chase, and fight atop a speeding train, and star Tom Cruise’s famed motorbike cliff jump.
The film is the seventh collaboration between the director and composer, with previous projects including ‘The Martian,’ ‘Prometheus,’ and ‘Exodus: Gods and Kings;’ the bloody sequel that follows Lucilla’s son Lucius hits theaters on November 22, 2024.
Pair assume the roles of Managing Director and Head of Production, respectively, as the studio prepares to announce new titles and add 300 people worldwide in 2024.
VFX supervisor Simone Coco’s team took on the French general’s famous Battle of Austerlitz, stitching together three different locations, as well as creating thousands of unique, accurately outfitted CG soldiers and horses.
Company taps the pair to advance and improve its service offerings and provide creative technological solutions to filmmaking challenges.
The VFX studio tackled numerous large digital assets, creating the planet Hala and its vast city, taking it from brilliance to ruins, with the Sun’s initial luminous implosion and, ultimately, its miraculous rebirth.
Felix Kammerer, Lars Mikkelsen, David Bradley, and Christian Convery are also added, joining Oscar Isaac and Mia Goth on the live-action Netflix flick based on Mary Shelley’s 1818 novel.
VFX supervisor and producer James McQuaide, working with 7 different vendors, delivered nearly 600 visual effects shots, including an incredibly realistic car bomb sequence, in the third film of Antoine Fuqua and Columbia Pictures’ ‘The Equalizer’ franchise.
Horror giants Jason Blum and James Wan have officially joined their creative houses, choosing a three-way ownership structure between majority owner Blum, Wan, and Comcast; both companies maintain brand identity and autonomy.
Lead Glen Powell reveals the upcoming film, set in the world created by the original 1996 disaster film, is a 'standalone story in the modern day;' the pic storms into theaters July 19, 2024.
For the Oscar-nominated director, the move from small, intimate films like ‘Ernest & Celestine’ to a major studio production meant learning to rely on a much bigger team and find new ways to communicate story ideas, designs, gags, and creative sensibilities; produced by Illumination CEO and founder Chris Meledandri, the film hits theaters today, December 22.
The first major animated feature releasing globally in CJ 4DPLEX’s Immersive, 270-Degree Panoramic ScreenX format gives audiences an all-new way to experience the funny, feathered family vacation like no other; in theaters December 22.
Although principal photography was completed before both the WGA and SAG-AFTRA strikes, additional shoots have been expected, delaying the film multiple times with the premiere now set for February 14, 2025.
See how the magic is made! Set to the hit Brozone tune, ‘Better Place,’ this all-new featurette from DreamWorks Animation's musical adventure comedy has it all: concept art - character designs - animation breakdowns - FX layers, and much, much more.
VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.
For Simon Hughes and his Union VFX team, Yorgos Langthimos’ dark comedy, a stunningly designed visual maelstrom, required something completely different from a typical VFX project, including odd, surgically created hybrid animals using as much actual footage as possible, integration of plates shot with 3 different film stocks, 11 enormous wrap-around LED screens, 50s style painted backdrops, and some really crazy colored skies.
Pablo Berger’s film, based on the graphic novel by Sarah Varon and inspired by Buster Keaton and early 20th-century Hollywood films, chronicles the adventures and misfortunes of Dog and Robot in NYC during the '80s; J.A. Bayona’s film tells the harrowing tale of the tragic 1972 Uruguayan Air Andes mountain plane crash.
While no details are known of the plot or other returning cast or crew, the starlet has signed on to a third film; the franchise follows a vengeful fairy who teams with the adorable Princess Aurora to once again bring peace between the humans and the fairies.
Awkwafina, Carol Kane, Keegan-Michael Key, David Mitchell and Danny DeVito star in the animated family adventure about a feathered family vacation gone awry; flying into theaters December 22.
As the extremely active seismograph warns, something epically colossal and massive and epic is happening underground, as ‘Godzilla Vs. Kong’ director Adam Wingard returns to helm the upcoming Monsterverse installment, stomping into theaters April 12, 2024.
