Representing more than 600 academic facilities located in over 80 countries worldwide, worldwide, Autodesk-sponsored student competition received 8,725 digital projects created by 2,752 students.
The Chicago-based design house rose to the challenge of creating both an animated, custom typeface and a bold main title sequence logo for the return of Peter Quill, Rocket, Baby Groot, Gamora and Drax the Destroyer in 'Guardians of the Galaxy Vol. 2.'
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
Conjuring giant elephants, magical serpents and the out-of-this-world CG environments, London and Montréal studios contribute a total of 437 VFX shots to director Guy Ritchie’s Medieval adventure.
The One Club for Creativity awards has honored Framestore with 49 trophies across five projects, including 18 gold awards for ‘Field Trip to Mars,’ all for the production company’s innovative work in virtual and augmented reality.
Studios from Sydney to London help create the visual effects for Ridley Scott’s new sci-fi/horror film.
Framestore collaborates with VFX supervisor Christopher Townsend to deliver more than 620 shots ranging from creature work, spaceships, ‘the best opening sequence in the world’ and an exhilarating space chase across the Galaxies.
VFX supervisor Axel Bonami details MPC’s development of new shooting techniques and software tools to create the stunning visuals for the live-action adaptation of the popular Manga series.
Concept artist Ash Thorp releases a highlight reel of concepts and animations created for director Rupert Sanders’ live-action remake of the classic anime property starring Scarlett Johansson.
Double Negative veteran to oversee leading VFX for feature film, including the upcoming ‘Blade Runner 2049.’
New clip from the forthcoming sci-fi adaptation directed by Rupert Sanders showcases stunning production design and visual effects with a mind-boggling attention to detail.
International conference on animation, effects, VR, games and transmedia runs May 2-5 in Stuttgart, Germany.
Deadline for submissions to Autodesk-sponsored global competition is May 29th.
Expansion of the Virtual Reality Studio headed by global head of VR Amy Small marks the proliferation of creative tech exploration.
Framestore teams with production company Sid Gentle Films and writers Neal Purvis and Robert Wade to direct and craft the twisting, turning title sequence for the adaptation of Len Deighton’s 1978 alternate history novel.
VFX supervisor Richard Bluff describes Industrial Light & Magic’s dazzling New York and Hong Kong sequence work in Marvel’s supernatural adventure hit.
The award-winning CG Supervisor will work in the company’s global film division.
Framestore Ventures and American Zoetrope launch fundraising campaign for the creation of a psychological horror role-playing game based on the classic 1979 film directed by Francis Ford Coppola.
Under the lead of production VFX supervisor Christian Manz, Oscar-winning VFX house helps develop and animate a range of fantastical CG characters for J.K. Rowling’s new spinoff prequel to the Harry Potter franchise.
Groundbreaking hybrid genre epic from executive producers Ron Howard and Brian Grazer brings together contemporary documentary footage and VFX-heavy drama to transport audiences to a not-so-distant Martian future.
Framestore provides more than 365 shots for the Marvel Studios blockbuster directed by Scott Derrickson, with work spanning CG environments and complex ‘Mandlebrot’ sets, digi-doubles of key characters, and the creation of Doctor Strange’s astral form used throughout the film.
Shanghai-based Cultural Investment Holdings to acquire 75 percent of the Oscar-winning VFX studio’s business in a deal valued at $187 million; Framestore founder & CEO William Sargent to retain minority stake.
DesignWeek Awards-nominated design director previously contributed beautifully crafted animation work for Royal Albert China.
VFX house Framestore uses a 24-camera Vicon system paired with Vicon’s data capture and processing software Blade to precisely capture data straight into Autodesk MotionBuilder.
London-headquartered VFX house partners with Madefire to launch first-ever Virtual Reality comics platform with the debut of original episodic series ‘Somnia: Origins.’
