Visual Effects Supervisor Ryan Tudhope produced 2,500 shots on Joseph Kosinski’s high-octane racing film, employing LiDAR-scanned track circuits, digitally re-skinned and augmented race cars, and tightly integrated practical photography to maintain realism at speed.
The VFX studio transformed scientific and historical data into meticulous visual reconstructions that trace humanity’s evolution in the 4-part BBC and PBS docuseries.
The award-winning visual effects studio delivered 550+ shots, using its trademark mix of artistry and innovation, creating a breathtaking underwater kingdom – harnessing its ‘Fibre’ groom tool, the project team ensured Ariel and the kingdom’s other inhabitants all had ‘great hair days;’ check out their magical reel.
Executive Producer Mike Gunton and Showrunner Tim Walker discuss how they went back in time again, using VFX from MPC, to showcase the lives of new dinosaurs, new habitats, and new scientific discoveries, taking viewers around the world on an epic adventure, now streaming on Apple TV+.
Dinosaurs took a bow with artist David Popa’s larger-than-life landscape art, featuring Tyrannosaurus rex, Triceratops and Hatzegopteryx, shared around the world; new episodes of the epic natural history docuseries are now available on Apple TV+.
Show’s sophomore outing continues to bring Earth’s history to life with new dinosaurs, new habitats and scientific discoveries while taking viewers around the world on an epic adventure, debuting with a global five-day, week-long event in May.
Technology is honored for elevating photorealistic VFX to new heights in episodic productions; the award will be presented by the Television Academy Engineering Committee live at their annual event on October 21
Studio delivers more than 100 VFX shots, focusing on the photorealistic rebuild of Chicago’s notorious public housing complex circa 1992, as well as the ghostly killer’s prosthetic hand, Nia DaCosta and Jordan Peele’s spiritual sequel to the 1992 cult horror classic.
VFX supervisor John Heller discusses how his FuseFX team delivered over 800 shots of invisible, photorealistic visual effects on the otherworldly Stephen King crime thriller.
Boutique visual effects studio produces photoreal dystopian world where the U.S. is split between Japanese and Nazi control in Amazon Studio’s original series based on Philip K. Dick’s 1962 novel.
