On the Road to the 98th Oscars: The Visual Effects Nominees
Take a deeper look at ‘Avatar: Fire and Ash,’ ‘F1: The Movie,’ ‘Jurassic World: Rebirth,’ ‘The Lost Bus,’ and ‘Sinners,’ all vying for the Best Visual Effects award on March 15.
Take a deeper look at ‘Avatar: Fire and Ash,’ ‘F1: The Movie,’ ‘Jurassic World: Rebirth,’ ‘The Lost Bus,’ and ‘Sinners,’ all vying for the Best Visual Effects award on March 15.
4-day event kicks off in Stuttgart on April 23, 2024; new program confirmations include ‘The Power of Collaboration’ a discussion of Global Inclusion, Community, and Connection and Feature VFX: A look behind the scenes of ‘The Creator;’ tickets are now on sale
World VFX Day and UpliftHER are teaming up on an online event that examines women’s issues and developments within and beyond the visual effects industry; a diverse lineup of industry speakers will join the March 8 presentation on the World VFX Day YouTube channel.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
Free resource provides in-depth look into virtual production workflows, new methodologies, remote collaboration, in-camera VFX, animation, and what’s coming next in Unreal Engine 5.