Peacock’s 10-episode dramedy turned depicting Elizabeth Banks’ small-scale Lindy into a 3,000-shot visual effects effort, combining 12:1 scale rules, grounded photography, oversized practical builds, live composites, and a multi-vendor pipeline to keep the show’s tiny world flexible, physical, and believable.
VFX supervisors Xavier Bernasconi and Simon Maddison talk muzzle flashes, face replacements, and a cacophony of van, motorcycle and helicopter crashes on the Amazon MGM Studios action-adventure thriller, starring Jason Momoa and Dave Bautista, now streaming.
Visual Effects Supervisor Ryan Tudhope produced 2,500 shots on Joseph Kosinski’s high-octane racing film, employing LiDAR-scanned track circuits, digitally re-skinned and augmented race cars, and tightly integrated practical photography to maintain realism at speed.
Watch the breakdown reel: from de-ageing Bill Nighy to shaping psychological landscapes, the studio was the sole VFX vendor on the mind-bending thriller series, now streaming on Prime Video.
See the legendary Christopher Lloyd as you’ve never seen him before; go behind-the-scenes with Eyeline Studios, the VFX artists and show leads working with state-of-the-art volumetric capture technology as they produced the incredibly photoreal effect.
Teams across three countries finished the film starring Anthony Hopkins and Bill Skarsgård in four months, covering everything from digital doubles and CG environments to complex green screen and glass compositing.
Visual Effects Supervisor Jelmer Boskma and his team delivered 448 shots across 10 episodes, creating previs, techvis, alien environments, the titular security android, and a giant 2-headed centipede, on the hit Apple TV+ sci-fi comedy, now streaming, that just scored a Season 2 renewal.
Sequences for the thriller, which stars Bill Skarsgård and Anthony Hopkins and is set completely within a high-tech SUV, include digital doubles, FX, environments, and complex greenscreen compositing.
With a team led by VFX supervisor Jan Krupp, the leading visual effects company delivered 235 shots on the Netflix adventure-comedy about 2 former CIA spies who are dragged back into the world of espionage when their cover is blown.
The leading creative company delivered 750 visual effects shots across 18 sequences, including cement sentry towers, surrounding forest, stars Miles Teller and Anya Taylor-Joy in action, and the expansive, mist-filled, and mysterious ravine itself.
The Oscar-winning VFX supervisor helped plan, design and deliver 500 visual effect shots for the Steve McQueen period drama about a 9-year-old evacuee who tries to journey back home to find his mother, turning back the clock to depict the devastating effects on the city and its people of the Nazi aerial attacks on England.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
Visual Effects Supervisor Matt Sloan, handling as much in-camera as possible so digital effects didn’t overshadow the tremendous stunt work, helped deliver 1,400 VFX shots working with Framestore, Cinesite, Rising Sun Pictures and Crafty Apes, as well as extensive postvis by OPSIS, on David Leitch’s behind-the-scenes ode to stuntmen, starring Ryan Gosling and Emily Blunt.
The VFX studio created 158 VFX shots, 20 unique space vehicles, and digital doubles for the Spartan crew while staying true to the franchise’s lore and aesthetic; series now streaming on Paramount+.
The VFX studio awakens the monsters in Legendary Picture’s latest Apple TV+ series starring Kurt Russell, Wyatt Russell, and Anna Sawai, which follows survivors of Godzilla’s attack on San Francisco as they grapple with the Secret Monarch organization.
Leading visual effects studio delivered 266 shots for director Brad Peyton’s sci-fi adventure; film stills and concept art help illustrate the work on full CG environments, set extensions, spaceships, digital doubles, and FX simulations for epic battle sequences.
VFX Supervisor Erik Winquist and Animation Supervisor Paul Story talk apes, plates, solvers, water, and other constituents of their heroic work on 20th Century Studios’ all-new action-adventure, ‘Kingdom of the Planet of the Apes.’
Studio’s VFX team delivered over 800 shots, including all space environments, on director Johan Renck’s sci-fi drama starring Adam Sandler and Carey Mulligan; film now streaming on Netflix.
The use of AI will provide significant advantages and present serious challenges.
The studio delivers 590 shots across 20 sequences, including the prehistoric opening, the final battle, and loads of creature work on a T. rex, giant octopus, snappers, and megalodon triumvirate of Apex, Haiqui, and Bob, in Jason Stathom and Warner Bros.’ ‘The Meg’ sequel.
Working from just a single day on-stage with an LED wall, the studio’s virtual production harnessed Unreal Engine to create an expansive world for the battle between good and evil in a style reminiscent of iconic tales from the film and gaming realm.
The visual effects studios recreated 1960s New York City, complete with city street and subway chases – and digital horse - and an ancient undersea trireme shipwreck dive that included digital doubles, digital creatures, and dry-for-wet effects, respectively, on James Mangold and Lucasfilm’s final ‘Indiana Jones’ cinematic franchise adventure.
The studio delivers 235 shots for the fifth installment in the ‘Indiana Jones’ franchise, including a frantic tuk-tuk chase sequence through the streets of Tangiers, Morocco.
VFX supervisor Johnny Han, working with Scanline VFX, EDI Effetti Digitali Italiani, Mackevision, MR. X, BUF, and Jellyfish Pictures, produced 2,000 shots for Season 1A and 2,500 for Season 1B – including the ‘Shockdog’ - on the Emmy nominated HBO series, set in an 1896 London rocked by a supernatural event that gives certain people – mostly women – abnormal abilities.
Reallusion’s new AI-enhanced Character Creator 4 plugin enables users to create advanced 3D real-time digital humans from photos and 3D models.
