Set in a world where soccer and magic reign and featuring creatures from the ‘Heroic Fantasy’ realm, the studio’s newest animated series heads to Toulouse this week; show pilot produced on company’s USD-based FLOW pipeline.
In its latest contribution to the prodigious ‘The Lord of the Rings’ franchise, Prime Video’s expansive series now nominated for 6 Emmy’s including Outstanding Special Visual Effects, pioneering visual effects company Wētā FX, led by VFX Supervisor Ken McGaugh, makes subterranean kingdoms pulse with life and creatures like Balrogs, Snow Trolls, and Wargs be the nastiest they can be.
The updated connector enables a two-way USD synchronized character animation workflow with the 3D simulation and collaboration platform for real-time crowd generation with digital twins and AECO.
Customers can now access expansive compute resources including NVIDIA RTX A5000-A6000 graphic cards for VFX, animation, and motion graphics workloads; check out the demo at SIGGRAPH 2023, running August 6-10 in LA.
The tech giants and Linux Foundation affiliate JDF join forces to create new AOUSD initiative to nurture global USD collaboration and support developers in building products and services for an ever-widening range of large-scale 3D projects across new industries and applications.
The Foundation’s newest hosted project, created by Larry Gritz in 2008, is widely used by VFX and animation studios and integrated into leading production software products; don’t miss the OIIO ‘Birds of a Feather’ session at SIGGRAPH August 7.
The company’s continuing support for the growing Blender community through new tools like the HIP (Heterogeneous Interface for Portability) API and planned support for USD and materialX means Blender artists can access an expanding set of high-performance graphics card options for their creative production.
The tech giant’s CEO and WPP CEO Mark Read discussed AI's ‘Supercharge’ impact on creative industries, noting new tools augment artists’ creative process and don’t replace it.
From giant red spaceships to tentacled, toothy Abilisks, the studio’s VFX and animation teams, led by VFX supervisor Guy Williams and animation supervisor Michael Cozens, pull out all the stops for the final chapter of James Gunn’s MCU trilogy.
3D artists Gianluca Squillace and Pasquale Scionti’s project interconnect their workflows by replacing linear pipelines with live-sync creation, harnessing the collaboration platform powered by RTX GPU to create their Viking scene that conveyed a cold, glacial mood.
Newest version includes enhanced technology features such as advanced denoising powered by machine learning, reaching new milestones in support for volumes, secondary passes, and performance for feature film animation and VFX.
The global VFX and animation studio opens operations in Mumbai, names Jasjit Singh as its General Manager, India.
Program nurtures startups by providing access to collective resources of the extensible NVIDIA Omniverse platform based on USD, in turn accelerating development of AI-Driven Volumetric Video Technologies for Digital Human Fidelity.
Major Omniverse updates announced at GTC include increased access to generative AI, simulation, and the industrial metaverse.
Upgrade brings more artist/designer-friendly tools to the rendering solution; photorealistic ray tracer adds denoiser/lens making, cylindrical decal tools, and time-saving GPU enhancements.
For 2 years, Production Designer Ramsey Avery and his team never slept, generating 38,000 pieces of concept art – illustrations, digital models, videos, sketches, and paintings – to support 9,500 VFX shots produced by 20 vendors and their 1,500 artists on Prime Video’s hugely ambitious Middle-earth saga.
Co-founders Clément Calvet and Jérémie Fajner went from 2 artists working in their living room to 600 artists working in Paris, Milan, and as of next month, a brand-new location – with USD pipeline - in France’s growing animation hub.
Latest update offers USD improvements, expands and builds on the painting toolset, and introduces simplified execution of Python Scripts; enhancements aim to improve artist workflows and efficiency.
Feature-rich release includes a host of simulation, scattering, and USD workflow enhancements for the company's node-based visual programming system for procedural creation.
It took P-H Dallaire and Benoit Therriault a decade to find the right partner – Rodeo FX – to produce their 3DCG animated short about a young boy and a chipper little bird who work in a dank, dark coal mine.
The Fremont, CA-based provider of high-performance digital hardware helps bring real-time collaboration to a growing clientele.
Art director Grant Freckelton and director David Peers talk about the studio’s groundbreaking open-source USD ALab, its expansion into ALab Phase 2, and the Unreal Engine-created short film that grew out of their R&D efforts.
Major updates to core reference apps and tools offer increased speed, accessibility, and flexibility for collaborative workflows, making it easier for developers, creators, and novices to build metaverse applications.
The two studios are teaming up to showcase new advances in volumetric video tools used to create digital humans as part of the VES’ ‘Creating Lifelike Digital Humans -- Volumetric Video Capture Techniques for VFX Pipelines,’ set for November 12; registration is now open on Eventbrite.
London-based Rafi Nizam used Omniverse Create XR and content-creation apps from Adobe, Autodesk, and Epic Games to create his fun new animated show.
