The son of Mickey Mouse co-creator Ub Iwerks helped advance projection technology, 3D and large-format filmmaking, Circle-Vision, motion simulators, and immersive attractions across more than six decades with Disney and Iwerks Entertainment.
The open source path-tracing renderer has powered every DWA feature since 2019, including ‘The Wild Robot’ and ‘The Bad Guys 2;’ ASWF’s Open Source Days set for July 19-20 in LA.
Baptiste Van Opstal, Jeff Budsberg, Michael Losure, Jon Lanz, and Eszter Offertaler detail key state-of-the-art animation tools, their evolution, and how the studio fosters time-intensive development of production technology that has given award-winning films like ‘The Wild Robot’ and ‘Puss in Boots: The Last Wish’ their uniquely stylized looks.
ASWF has added the open source path guiding library, originally developed by Intel, to its growing portfolio of production-focused tools; goal is to advance realistic lighting workflows while maintaining high rendering performance.
Maggie Kang and Chris Appelhans’ hit musical comedy nabs wins for both Best Animated Feature and Best Original Song, while James Cameron’s ‘Avatar’ sequel gets the nod for Best Visual Effects; Chris Lavis and Maciek Szczerbowski’s ‘The Girl Who Cried Pearls’ named Best Animated Short.
Take a deeper look at ‘Avatar: Fire and Ash,’ ‘F1: The Movie,’ ‘Jurassic World: Rebirth,’ ‘The Lost Bus,’ and ‘Sinners,’ all vying for the Best Visual Effects award on March 15.
Ceremony, scheduled for April 28 at the Academy Museum of Motion Pictures, celebrates individuals and companies whose discoveries and innovations have contributed in significant and lasting ways to the motion picture industry.
Oscar nominees named yesterday morning for Best Visual Effects share their reactions to the great news.
Oscar nominees named this morning for Best Animated Feature and Best Animated Short share their reactions to the great news.
‘Arco,’ ‘Elio,’ ‘KPop Demon Hunters,’ ‘Little Amélie or the Character of Rain,’ and ‘Zootopia 2’ nab noms for Best Animated Feature, while ‘Avatar: Fire and Ash,’ ‘F1,’ Jurassic World: Rebirth,’ ‘The Lost Bus,’ and ‘Sinners’ get the nod for Best Visual Effects.
VFX category narrowed down to 10 films, animated shorts to 15; voting for nominations runs next month, January 12-16, with nomination announcements set for January 22, 2026.
12 short films, including 3 animations, from 3,127 entries, are awarded at 52nd ceremony, held in New York City; all winning films now eligible for 98th Oscars.
The Academy Foundation Board comprises 12 trustees who also serve as members of the Academy Board of Governors; casting director Kim Taylor-Coleman was elected Board president.
The list of new AMPAS member invitees includes 41 in Animation, 25 in Visual Effects, 29 in Production Design, and 25 in Production and Technology.
Eligible entries include devices, methods, formulas, discoveries, and inventions of outstanding value to moviemaking; must be received by July 24.
For 98th Oscars, members must now watch all nominated films in a category in order to vote in final award round; each branch will judge films based on the ‘degree to which a human was at the heart of the creative authorship.’
In an upset win, Gints Zilbalodis’ animated tale of a cat who wakes up to a world invaded by water took home the Oscar for Best Animated Feature, while the second chapter in Denis Villeneuve’s sci-fi epic won for Best Visual Effects and Best Sound Design on a night that also saw Iranian filmmakers Shirin Sohani and Hossein Molayemi, with visas approved just yesterday, arrive in the U.S. in time to win Best Animated Short for ‘In the Shadow of the Cypress.’
Take a deeper look at ‘Flow,’ ‘Inside Out 2,’ ‘Memoir of a Snail,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot,’ all vying for the Best Animated Feature Oscar on March 2, 2025.
The longtime publicist and awards consultant for Disney, DreamWorks, Aardman, Netflix, Google Spotlight Stories and countless indie filmmakers, as well as WIA’s publicity chair, died after a long battle with a rare blood cancer.
Take a deeper look at ‘Alien: Romulus,’ ‘Better Man,’ ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked,’ all vying for the Best Visual Effects Oscar on March 2, 2025.
Ceremony, rescheduled for April 29 at the Academy Museum of Motion Pictures, celebrates individuals and companies whose discoveries and innovations have contributed in significant and lasting ways to the motion picture industry.
Oscar nominees named this morning for Best Visual Effects share their reactions.
Oscar nominees named this morning for Best Animated Feature and Best Animated Short share their reactions to the great news.
‘Flow,’ ‘Inside Out 2,’ ‘Memoir of a Snail,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ nab noms for Best Animated Feature, while ‘Alien: Romulus,’ ‘Better Man,’ ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked’ take the top spots for Best Visual Effects.
Nominations voting period extended due to the ongoing Los Angeles fires and their impact; AMPAS has changed some key dates and events on its awards season schedule.
