BlueBolt Shares ‘Outlander’ Final Season VFX Breakdown Reel
Studio delivers 160 visual effects shots for the eighth and final season of STARZ’s epic time-traveling adventure based on Diana Gabaldon’s best-selling novels.
Studio delivers 160 visual effects shots for the eighth and final season of STARZ’s epic time-traveling adventure based on Diana Gabaldon’s best-selling novels.
The studio delivered 365 shots for Prime Video’s feature-length continuation of the hit series, including the glass floor collapse, Dubai tower finale, CG environments, vehicles, explosions and boat chase enhancements.
John Krasinski is back as crack shot / fearless patriot / hero / super-analyst Jack Ryan in the feature film continuation of the hit series; James Greer and Michale Kelly are back as well for a new insidious global espionage storyline; debuts May 20.
John Krasinski reprises his role as fearless patriot / hero / super-analyst Jack Ryan in the feature film continuation of the series; with returning cast and a new global espionage storyline, the show debuts May 20.
Boasting nearly 30 years’ experience, the visual effects vet joins from the Cinesite group, where he served as VFX Supervisor on projects including ‘Black Widow,’ ‘Loki,’ and ‘Black Panther: Wakanda Forever.’
The studio delivered 250 invisible visual effects shots on the Chris Columbus cold case whodunnit, starring Helen Mirren, Pierce Brosnan and Ben Kingsley, now streaming on Netflix.
The Oscar-winning VFX supervisor and a team from Pro Machina will discuss their miniature work on the Excelsior retro rocketship; Emmy winner Alex Woo will present his upcoming 3DCG feature, ‘In Your Dreams,’ that hits Netflix November 14; conference runs October 12-17 in Turin, Italy.
The studio enhanced brutal bare-knuckle boxing fights as well as created digital environments for key story locations and a CG aerial London cityscape, totalling 125 shots for Season 1 and another 107 shots for the upcoming Season 2.
Tom Cruise’s Ethan Hunt and his Impossible Mission team are back one last time for more running, jumping, knife fighting and hanging from bi-planes in the new action-adventure spy thriller from Skydance and Christopher McQuarrie, in theaters May 23.
Attendees can explore the sound design of ‘Dune Part 2,’ the visual effects of ‘Avatar: The Last Airbender,’ and the invisible VFX of Ridley Scott's ‘Napoleon;’ 4-day event kicks off in Stuttgart on April 23, 2024.
Attendees can explore the stylistic design choices behind ‘Kung Fu Panda 4’ and gain insight into artistic and technological innovations developed for ‘Ghostbusters: Frozen Empire;’ 4-day event kicks off in Stuttgart on April 23, 2024.
ILM, led by Simone Coco and Jeff Sutherland, delivered between 1,100-1,200 shots on the Christopher McQuarrie spy thriller, including a gunfight in an Abu Dhabi desert sandstorm, a Rome car chase, and fight atop a speeding train, and star Tom Cruise’s famed motorbike cliff jump.
Studio delivered 126 VFX shots to help realize Ridley Scott’s vision of Napoleon’s 1793 Siege of Toulon and his violent suppression of the Paris riots two years later.
After eight years, five seasons and a concluding feature film, VFX supervisor Richard Frazer laughs at the notion he’s earned a PhD in 10th century British history; as the sole visual effects vendor for the entire run, BlueBolt handled historically accurate CG characters, massive armies, and gory combat on the Netflix series and feature.
With co-founders Lucy Ainsworth-Taylor and Angela Barson stepping down from day-to-day operations, the studio welcomes new board members Tracy McCreary, Henry Badgett, and Nic Birmingham.
The studio transforms London into a dilapidated landscape dwarfed by towering statues of Greek Gods, creating the backdrop for the sci-fi series starring Jack Reynor and Chloë Grace Moretz, now streaming on Prime Video.
Challenged with creating accurate portrayals of Brighton Beach across 2 timelines, the studio’s team delivers 152 seamless VFX shots; breakdown reel highlights the studio’s visual effects work creating the backdrop for the romantic drama, which spans decades.
Visual effects studio delivers 782 shots as the lead vendor on the final season of the hit Netflix series, filled with sprawling CG armies, historically accurate CG ships, environments, and of course, bloody Saxon battles.
In new leadership role, she will continue supporting the VFX house’s on-going expansion; studio’s slate of film and TV projects includes The Northman, The Great Season 2, Becoming Elizabeth, Suspicion and The Last Kingdom Season 5.
VFX house promotes seasoned EP who will help push the active production slate; film and TV projects including ‘The Northman,’ ‘The Great - Season 2, and ‘Becoming Elizabeth.’
The all-virtual 9th edition’s theme is ‘Limitless Creativity;’ event features various talks, presentations, and career advice aimed at students, emerging talent, and industry professionals.
Studio delivers over 300 shots for satirical comedic drama about the fictionalized rise of Catherine the Great, which required extensive on-location collaboration to create large scale environment extensions for Caserta Palace and the military camp at the Russian Front.