The animation studio is using Flix with Adobe Photoshop to support storyboarding on the Sycamore Studios animated feature set for a 2027 release.
Latest version of Emmy Award-winning VFX plugin collection adds automatic deinterlacing, updated AI models, easier effect isolation, revamped warps and transitions, and enhanced particles.
Adobe MAX attendees were invited to use AI features in Adobe Premiere or Photoshop to remix and reimagine frames of the original music video by Jordan Sommerlad.
New Generative Extend editing tool instantly generates and expands the length of video and audio clips; Media Intelligence quickly locates specific clip content via keyword search; all updates and releases now available.
Trevor Hardy says six years spent struggling to build his animation business is akin to fiddling with a bad tooth, though his recent hugely popular music video, ‘The Happy Song,’ for Imogene Heap and newest short, ‘A Right Royal Sprout’ may signal a welcome bit of pain relief.
From post-production VFX to rendering and retouching, key content creation applications are employing AI and machine learning features, coupled with the latest AMD GPUs, to greatly increase artist productivity by speeding up routine tasks without the need to upload commercially sensitive data to the cloud.
The latest NVIDIA RTX and GeForce RTX GPU accelerated technologies were revealed at the Adobe MAX creativity conference; the new NVIDIA Studio Driver is now available for download.
Nathan Smith, Director of Studio Ghibletz, shares how to use the new vector character launcher to create props in Photoshop and Illustrator so you can then add GIF animations to your latest cartoon.
For Dave Hughes, 300+ films over five years are just the beginning as he continues to find innovative creators like Nic Collins and Sean Godsey, Sam Lanier, Kelly Cooper, Felipe Di Poi, and Sarah Schmidt in his search for funny new stories he hopes can jump to specials, pilots, or series.
Creators Sean Godsey and Nic Collins talk about how their own struggles laid the groundwork for their hilarious new animated short film, premiering April 15 on Adult Swim SMALLS.
The tech companies will co-develop generative AI models with a focus on deep integration into Creative Cloud applications like Photoshop, Premiere Pro, and After Effects, as well as the NVIDIA Picasso cloud service, for content creators, designers, and marketers.
Creative studio Fabian&Fred harnessed Adobe Creative Cloud, Blender, and DaVinci Resolve, bolstered by GeForce RTX 3090 GPUs, creating an authentic reflection of a little girl’s fear and her discovery of the true meaning of bravery.
In a quest to make new breakthroughs in 2D animation, the Director of Studio Ghibletz, Nathan Smith, shares his workflow for simulating classic hand-drawn animation in Cartoon Animator 5.
New features and tool updates improve performance and enhance productivity with Premiere Pro and Character Animator, including faster ProRes on Apple M1 Pro and M1 Max, title graphics upgrades for improved search and replace tool, and puppet maker to give animators new ways to create, customize and animate characters
Acquisition will pair leading end-to-end cloud-based video collaboration platform with industry standard Creative Cloud software such as Premiere Pro and After Effects to power the video editing process.
For Israeli artist Neta Cohen, childhood memories that her home had a life of its own fueled her 2D/3D animated short about the long, sometimes sinister hours between wakefulness and sleep, reality and imagination.
Now available, the latest version includes new stylize tools Electrify, Texturize Motion, and Analog, Support for Metal, and 200+ new presets for Array Gun and Typographic; other Maxon updates include Redshift with support for OpenColorO, streamlined new Maxon App, and fixes and optimization of FX Suite and Cinema 4D S24.
Company reveals first set of updates to its flagship editing system, centered on new import / export features and streamlined header bar.
Produced with 72andSunny Los Angeles, ‘Fantastic Voyage | Premiere Pro’ follows a creator’s escapist adventures spotlighting endless possibilities in storytelling.
Moving away from videography during the pandemic, members of the company’s inhouse creative group embraced new digital tools, including After Effects, to produce captivating video content that often provided fans their first visual representation of a new song.
Artist Yemi Faleti used Premiere Pro with Boris FX’s Sapphire and Red Giant’s VFX suite to produce the rapid cuts and melting colors in his CG piece for Universal Music Group’s °1824 division.
Updates to all applications include enhanced speed and flexibility allowing for seamless collaboration; updates to Premiere Pro, After Effects, and Premiere Rush increase tool functionality and accelerate workflows with an overall increase in cross-app abilities and support.
Adam Maciaszek, the mind behind ‘The Skeleton Dance’ 4K remaster, discusses his AI-assisted process as well as upcoming classic cartoon restoration projects.
New effects are customizable and can apply instantly to keyframes or across the entire sequence.
Dan ‘Hashi’ Hashimoto’s step-by-step video uses Maxon and Red Giant tools, along with After Effects, to produce stunning animation and VFX like that used in the film.
