The studio’s SDCC presentation was filled with star-studded panels, new ‘Avengers: Doomsday’ material that included Dr. Doom cloaks and masks for attendees, plus Jon Bernthal sharing his role in ‘Spider-Man: Brand New Day.’
Bob Persichetti and Justin K. Thompson helm the eagerly-awaited third web-slinging film in the animated Spidey trilogy, now set to hit theaters June 18, 2027.
Zach Lipovsky and Adam B. Stein, the duo behind 2025’s ‘Final Destination: Bloodlines,’ reportedly are attached to direct the film featuring Marvel’s popular anti-hero.
Watch the pair at their ridiculous, hilarious best - they’re remaking the ‘Anaconda’ movie, but their snake dies, so they search for another one, which doesn’t go as planned; slithering into theaters December 25.
The brutal war between devils, hunters and secret enemies hits the big screen October 24 in an action-fueled adventure that continues the hugely popular anime series.
The hugely popular fantasy musical has become the streamer’s most-watched English-language film of all time; a formal deal for V2 is not currently on the table.
The 6X Emmy Award-winning ‘Dexter’s Laboratory’ and ‘Samurai Jack’ creator’s hilariously R-Rated animated comedy feature debuts today after finally finding a home on Netflix after years of development, getting axed at Warner Bros., and subsequently passed on by virtually all of Hollywood.
Bob Persichetti and Justin K. Thompson helm the third web-slinging film in the animated Spidey trilogy, now set to hit theaters June 25, 2027.
The new animated film from the Oscar-nominated ‘Mirai’ and ‘Belle’ director, which follows a princess who can transcend time and space, hits theaters globally outside Japan on December 12.
The leading VFX studio tackles imprisoned symbiote creator Knull, his home world Klyntar, and scores of monstrous creatures known as Xenophages on the final film of the Marvel and Sony ‘Venom’ trilogy starring Tom Hardy.
Bob Persichetti and Justin K. Thompson are at the helm of the third web-slinging film in the animated Spidey trilogy, now set to hit theaters June 4, 2027.
The leading creative studio delivers 500 shots across 11 sequences on the final film of the Marvel and Sony ‘Venom’ trilogy, including a Symbiote dance sequence, a battle atop an airplane, and the first non-human takeover… of a horse.
The suit, which seeks $49 million (plus interest), was filed earlier this year, alleging Wanda Hong Kong failed to ‘properly engage’ in a 2017 purchase option agreement for Vampire Squid Productions, the ‘Octonauts’ holding company.
Noah Catan and the team at Bent Image Labs used his Pantheon software tool to add critical volumetric shading to the key opening scenes of the film, set in Harold’s illustrated book world, without making the characters and their simple lines look like the came from a completely different world.
A porcupine, a diner, a salad bar… what could go wrong? Watch the ‘Diner Disruption’ clip celebrating the digital release of the live-action/animated hybrid feature starring Zachary Levi as a wonder filled grown-up Harold who doesn’t quite think things through; available for purchase and rental today!
Director Carlos Saldanha and VFX Producer Ken Wallace talk about coloring outside the lines to create Sony Pictures’ live-action/animated adaptation of Crockett Johnson’s famed kids’ book, now playing in theaters nationwide.
Iconic Events and Anime Expo present classic anime films in 500+ theaters in the U.S. and select cities in Canada; movies include ‘Ninja Scroll 30th Anniversary,’ and ‘Metropolis 2001.’
The adaptation, which recently lost ‘Talk to Me’ filmmakers Danny and Michael Philippou, will now hit theaters on March 20, 2026.
On heels of signing joint venture with DNEG to launch DNEG 360 division, the company announced its choice for cloud and technology platforms to scale global visualization, virtual production and content creation services.
CG animation producer Shelley Smith and VFX supervisor Freddy Chaleur discuss how DNEG Animation perfected the not very Shakespearean process of staying on model while animating the extreme poses of a furry cat, based on iconic 2D comic designs, that can eat an entire pizza in one bite.
The former Bad Robot, Sony Pictures and Columbia exec boasts extensive experience in live action and animated franchise titles, including ‘Cloudy with a Chance of Meatballs,’ ‘Hotel Transylvania,’ ‘The Smurfs,’ and more.
His crayon is made of pure imagination… which shouldn’t fall into the wrong hands… based on the classic children’s book by Crockett Johnson and starring Zachary Levi, the live-action / animated hybrid features a grown-up Harold, filled with wonder about everything, who doesn’t quite think things through; coming to theaters in August.
VFX Supervisor Jason Greenblum talks the singular challenges and dedicated craftsmanship involved in the creation of the visual effects for the latest iteration of the beloved Sony franchise.
The animation, created with innovative 2D and 3D techniques, portrays realistic textures mimicking rock surfaces and cracks as if carved from real stone while revealing the movie’s formidable antagonist’s origins.
The voice of the film’s titular feline shows how he prepared for the role of a lifetime - the who, what, and why of his catness; Sony’s all-new 3DCG film hits theaters on May 24.
