Tagged With: Technology

Joel Crawford and Januel P. Mercado will take the stage to share production insights and stories surrounding their new original animated comedy adventure hitting theaters on September 25; event runs October 12-16 in Turin, Italy.

The leading visualization company returns to Australia with a new operation led by executive producer Katrina Peers.

Studio delivers 160 visual effects shots for the eighth and final season of STARZ’s epic time-traveling adventure based on Diana Gabaldon’s best-selling novels.

The new service-work group is focused on prime-time animated content for older audiences across comedy, horror, drama and action.

Production VFX supervisor Jay Worth discusses building the Mojave wasteland, bringing the iconic Deathclaw to life, expanding Ghoul effects work, and balancing practical craftsmanship with large-scale visual effects on the hit Prime Video series.

Watch Wesley Wang’s 3D indie film about a husband-and-wife rabbits’ armed resistance against a ruthlessly monopolized carrot supply that reached 10 million views across platforms within 24 hours of its YouTube release.

Programming includes four days of workshops, assemblies, and cross-border forums spanning funding, AI, sustainability, co-production export, sales, and regional pitching, with a new Annecy European Animation Summit anchoring the week as professionals look for shared answers to industry change.

The AI and language solutions company’s 2 divisions will now operate as The Mill, bringing together film and series VFX, brand content production, localization, and AI-enabled production services under one organization.

The survival thriller follows a grieving diver swallowed by a massive cetacean with only an hour of oxygen left; directed by Brian Duffield and based on Daniel Kraus’ book, it hits theaters October 16.

Latest version of Emmy Award-winning VFX plugin collection adds automatic deinterlacing, updated AI models, easier effect isolation, revamped warps and transitions, and enhanced particles.