The leading content creation software company has expanded no cost access to its motion graphics, VFX and compositing application to studios, agencies, educators, brands, and creative organizations of any size.
The new release, shaped directly by creator feedback, includes upgrades to Cinema 4D, Redshift, ZBrush, and Red Giant; available now to all subscribers.
Company unifies Cinema 4D, ZBrush, Redshift, and Red Giant in an ecosystem redesign, with new feature capabilities across VFX, 3D modeling, and motion graphics solutions.
Visual Effects Supervisor Jelmer Boskma and his team delivered 448 shots across 10 episodes, creating previs, techvis, alien environments, the titular security android, and a giant 2-headed centipede, on the hit Apple TV+ sci-fi comedy, now streaming, that just scored a Season 2 renewal.
One Pixel Brush founder, award-winning concept artist Shaddy Safadi, talks about his Annecy Cristal-winning 3DCG short comedy, years in the making, which he wrote, directed, voiced all characters for, and self-financed, that’s set in 400 AD, when decency, decorum and cleanliness were not high priorities.
VFX supervisor Stuart Penn discusses the quirky, grisly mayhem, including the Niflheim ice cavern, native creatures known as Creepers, and our hero’s multiple deaths and subsequent regenerations, in Bong Joon-ho’s dark, sci-fi comedy.
Created in collaboration with brand design agency Design Bridge and Partners London, the hero spot ‘Always Get Back Up’ runs across TV and VOD.
LiDAR scans of over 300 bones from Ms. Blue, the largest outdoor blue whale skeleton on display in the United States, led to a digital replica, AR display, educational lessons, and 3D printed replacements.
Now available to subscribers, the update includes hundreds of new features and capabilities across its tools, including ZBrush for desktop and iPad, Red Giant, Maxon Studio, Cinema 4D, Redshift, and Cineware.
The Emmy Award-winning EFX supervisor helped creator Ian McCulloch produce a series of gruesome human and animal bodies seemingly pulled apart in layers in the horror thriller series now streaming on Peacock.
Led by industry veteran Ken Locsmandi, the boutique visual effects company has been revolutionizing filmmaking through its virtual production pipeline that uses iClone and Unreal Engine to produce high quality, cost-effective animation.
Release of Maxon’s award-winning winning 3D creative software features many tools found in the desktop version and adds a customizable interface for arranging sculpting tools to optimize a personal user experience.
Herne Hill VFX supervisor Ben King describes how his studio delivered almost 200 visual effects shots, all grounded in a 1970s cinematic style, including extensive layering of practical and digital fire, along with a jackal-inspired demon, in Arkasha Stevenson’s chilling prequel to the classic 1976 film.
EP Lynne Southerland and art director Chrystin Garland discuss their push for authenticity in the all-new 3DCG preschool series about the young mermaid princess that incorporates the islands’ multi-cultural elements of music, food, fashion, language, and folklore; show debuts June 27 on Disney Junior.
$45,000 in cash along with various physical prizes to be awarded to winners in multiple categories including ‘Best Character Design,’ ‘Best Character Animation’ and ‘Best AccuRIG Character;’ submission deadline is September 1, 2024.
Device brings increased functionality and ease of operation to how users navigate, sculpt, and design in 3D applications.
New Louisiana Civil Rights Museum exhibit culminates in an immersive environment created using projection mapping and motion detection, where visitors step into and experience the Civil Rights journey that shaped the country.
Numerous improvements revealed for ZBrush 2024 and Cineware’s import of Cinema 4D files into Unreal Engine; a new batch of Capsules give artists an even wider assortment of resources.
The company’s powerful, ergonomically designed SpaceMouse 3D, CadMouse, and Keyboard Pro are providing improved creative workflows and professional-grade comfort to artists in the animation and game industries.
The company’s powerful, ergonomically designed SpaceMouse 3D, CadMouse, and Keyboard Pro are providing improved creative workflows and professional-grade comfort to artists in the animation and game industries.
The VFX studio contributed 1,800 shots for Netflix India’s ‘Rana Naidu’ series, based on the popular American Showtime drama series; work included action clean-ups, greenscreen sequences, and CG elements such as the creation of a realistic snake that appears during a drug-induced hallucination.
Reallusion’s newest plugin helps artists harness the power of Character Creator and Zbrush pose tools.
The award-winning visual effects studio creates the huge-jawed Aeschna sea monster, the deadly Flesh Monster, and a huge Ring of Fire, in the hit fantasy adventure’s latest season; watch the final S3 episodes now on Netflix.
Reallusion’s latest release empowers character artists and 3D print designers to effortlessly transform intricate sculpts into precise, posable, high poly count characters with just a few clicks.
The summer heats up with enhanced Maxon One subscription offerings, including Jitter added to Redshift, MatCap Shader Node and Support for Maya on Mac, and Improved Trapcode Workflows.
