Proof Opens New Brisbane Studio
The leading visualization company returns to Australia with a new operation led by executive producer Katrina Peers.
Tagged With: visualization
Kyle Balda Brings an Animator’s Eye to Live-Action / Hybrid ‘The Sheep Detectives’
After years spent helming 3DCG ‘Minions’ films, the director tackles a family mystery that combines photoreal animated sheep, ensemble voice acting, and lots of whodunnit to adapt Leonie Swann’s bestselling novel; now in theaters.
In 3D, Acting, AI, CG, Films, People, Visual Effects, Voice Acting | VFXWorld | Geographic Region: All
Lightcraft Technology Unveils Spark Story Interactive Previs Tool
New real-time virtual shot system enables filmmakers to visualize and develop projects collaboratively in 3D from the earliest stages of production.
Proof Delivers Extensive Previs and Postvis for 'Stranger Things' Final Season
Watch the reels! Leading visualization studio shares 2 new reels detailing its work across all 8 episodes of the final season of the hit Netflix series, including nearly 1,900 shots and a pipeline built around Unreal Engine.
India-Based Digikore Studios Releases ‘Kingdom Games’ Trailer
The 90-minute 3DCG film about a misfit team of animal athletes, created with an AI-assisted pipeline that touched every stage of the animation production, hits theaters worldwide on July 24.
DNEG Gets All Broken Up Over ‘The Wrecking Crew’ High-Speed Chase VFX
VFX supervisors Xavier Bernasconi and Simon Maddison talk muzzle flashes, face replacements, and a cacophony of van, motorcycle and helicopter crashes on the Amazon MGM Studios action-adventure thriller, starring Jason Momoa and Dave Bautista, now streaming.
Fuzzy Door Tech Talks Virtual Production ‘D&D’ on ‘Ted’ Season 2
Faith Sedlin and Brandon Fayette discuss how their company’s ProVis tools let actors and crew see digital assets with their own eyes, in real-time, blending live-action and CGI in-camera on the new season of Seth MacFarlane’s hit comedy.
Fuzzy Door Tech Expands ViewScreen Capabilities on 'Ted' Season 2
The company shares details on how its ProVis tools enhanced real-time visualization and production workflows on new season of the Seth MacFarlane comedy, enabling complex sequences blending live-action and digital elements to be executed in-camera.
Previs Pro Releases Update with User-Requested Refinements
Software introduces Pose Mode, Hand Pose presets, and a series of community-suggested workflow mods to make storyboarding and scene creation more expressive and precise.
Epic Games Releases Twinmotion 2025.2
With added support for Unreal Engine’s Nanite virtualized geometry system, the major update offers significant workflow benefits across numerous industries including Media & Entertainment.
In 3D, Business, CG, Games, Previs/Postvis/Visualization, Technology, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
Previs Pro Gets Major Update, Free Access Tier
Previs Pro 3 adds new Animatics feature that incorporates motion, timing, and pacing directly into the visual planning process; Light Grade exits beta; new free pricing level allows users to generate unlimited watermarked storyboards, use up to three AI-generated props, and create one animatic sequence.
In 2D, AI, Business, People, Previs/Postvis/Visualization, Technology, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
Proof Shares ‘Heads of State’ Visualization Reel
The studio delivered both previs and techvis for the action-packed, 12-minute Air Force One action sequence on the Prime Video comedy starring John Cena and Idris Elba.
In 3D, Acting, CG, Digital Media, Films, People, Previs/Postvis/Visualization, Technology | Headline News, VFXWorld | Geographic Region: All
OPSIS Partners with Utopai Studios to Pioneer AI-Supported Content Creation
Leading visualization studio launches new division to harness video-to-video AI tools for creator driven, cost-effective feature and episodic projects; shows in pre-production with the AI-tech company include ‘Cortés’ and ‘Space.’
In 3D, AI, Business, CG, Films, People, Technology, Television, Visual Effects | Headline News, VFXWorld | Geographic Region: All
The Two Jakes Come Together for ‘Thunderbolts*’ Visual Effects
Using mocap, practical sets, and rigorous previs, VFX supervisor Jake Morrison helped director Jake Schrier create complex, multi-character action, stunts, and combat with authenticity and detail, using as much real footage as possible, in the latest Marvel Studios action adventure.
In 3D, Acting, CG, Films, People, Previs/Postvis/Visualization, Technology, Visual Effects | VFXWorld | Geographic Region: All
Proof Shares ‘Wheel of Time’ Season 3 Postvis Reel
The studio delivered 35 minutes of visualization across all 8 episodes using a unique Sketchvis pipeline to create the ‘channeling’ of different powers before final effects were in place.
Animating a Post-Apocalyptic Love Story
What happens when a buoy and a satellite fall in love? Sam and Andy Zuchero share their process for creating avatars with stars Kristen Stewart and Steven Yeun on their indie feature, ‘Love Me.’
In 3D, Acting, CG, Films, People, Technology, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
Alex Weber Joins OddBeast
3D artist will act as studio’s primary product visualizer by cleaning up CAD models, modeling products from scratch, and processing all client artwork files to be used on 3D models.
In 3D, Business, CG, Commercials, Jobs & Recruiting, People | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
Previs Pro Introduces ‘Light Grading’ Tool
New feature includes a library of classic lighting scenarios with over a dozen presets that can be customized or replaced entirely via in-built generative AI prompt; now available via the Previs Pro app.
In 3D, AI, CG, People, Previs/Postvis/Visualization, Technology | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All
Halon Entertainment Launches New Glasgow Studio
Expansion to state-of-the-art facility with up to 250 artist positions grows the company’s international footprint and ability to take on more ambitious work; expansion also planned at Los Angeles headquarters.
From Start to Finish, Framestore Visualizes ‘Wicked’
Visualization supervisors Christopher McDonald and Maike Fiene discuss their teams’ expansive and extensive efforts, from previs to postvis and final, including helping devise camera angles and character movements, on Nessarose Thropp’s levitating wheelchair, Elphaba taking flight, and Doctor Dillamond sequences, on Jon M. Chu’s hit musical adventure.
In 3D, CG, Films, Music and Sound, People, Post-production, Previs/Postvis/Visualization, Visual Effects | VFXWorld | Geographic Region: All
SIGGRAPH Asia 2025
Begins: December 15, 2025
The 18th ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia will be held at the Hong Kong Convention and Exhibition Centre December 15-18, 2025.
In 3D, AI, AR/VR/XR, Business, CG, Digital Media, Event, Festival, Films, Games, Immersive, Mobile and Wireless, Post-production, Previs/Postvis/Visualization, Production, Short Films, Technology, Television, Transmedia, Virtual Production, Visual Effects | Event Types: Conferences
Proof Shares ‘Something in the Water’ Previs Reel
The leading visualization studio’s work involved animating and editing a number of sequences, including a boat crash and shark chase, for the StudioCanal film about a group of friends who meet up for a wedding in the Caribbean and become stranded at sea after their boat sinks.
In 3D, CG, Films, People, Previs/Postvis/Visualization, Visual Effects | Headline News, VFXWorld | Geographic Region: All
Paul Lambert Returns to Arrakis for ‘Dune: Part Two’ VFX
The Oscar-winning VFX supervisor once again teams up with filmmaker Denis Villeneuve for the second of three adaptations of Frank Herbert’s seminal sci-fi tome, shooting practical wherever possible to capture the right desert light, shadow and tone.
In 3D, CG, Films, People, Previs/Postvis/Visualization, Visual Effects | VFXWorld | Geographic Region: All
Building the World of ‘Percy Jackson and the Olympians’
From the Minotaur and the Chimera to the Underworld and the pit of Tartarus, Senior VFX Supervisor Erik Henry talks about what it took to create the mythological universe for the hit Disney+ series, now streaming.
In 3D, Acting, Books, CG, Digital Media, People, Previs/Postvis/Visualization, Technology, Television, Visual Effects | VFXWorld | Geographic Region: All
RADiCAL Introduces Comprehensive Pre-Production Solution
‘RADiCAL for Pre-Production’ includes extensive new features that enable teams to create, simulate, and iterate on scenes and set design with real-time 3D visualization.
